
'A converted barn in the Oxford countryside is stripped back to its original shell to reveal breathtaking proportions and gorgeous oak structures.'
Kitchens, Bedrooms & Bathrooms Magazine
'We don’t impose an aesthetic — we uncover what’s already there.'
David Nossiter
One aspect of the 1935 Country Life description that I find particularly interesting as an architect, is John Pym’s conscious use of contemporary materials for the conversion works in order to contrast with the ancient structure of the original barn, thereby allowing both to be clearly identified. You can more about the history of Pye Barn in my blog.
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David is a specialist barn conversion architect with extensive experience in both sensitive retrofits and contemporary barn conversions.
David first visited Pye Barn while undertaking a site appraisal for my clients, who were relocating from London.
The barn still had glorious spaces, but required updating. The heating was inefficient, there was little in the way of insulation, partitions were paper-thin and windows single glazed. Our brief was to revitalise and retrofit the barn without foregoing the majesty of the spaces.
Pye Barn demonstrates David Nossiter’s approach to sensitive retrofit: removing unnecessary layers to reveal the original structure while introducing precise contemporary interventions for modern family life.
The design was a process of subtraction, rather than addition: revealing the qualities already present within the barn and introducing only those interventions necessary to support contemporary living
The design was a process of subtraction, rather than addition. The barn was stripped back to the original oak structure of columns and trusses. This provided a grid around which spaces were planned.
A major requirement for David as architect was the re-organisation of the first floor plan so that the bedrooms were accessed via the central gallery. The proportions of the original barn are celebrated with open plan spaces and ceilings reaching to the apex of the roof.
The new additions are treated as stand-alone units and detailed accordingly.
The conversion began by stripping back layers to reveal the oak columns and trusses that define the character of the barn. The historic structure becomes the organising framework for the contemporary home.
The original barn structure establishes the rhythm and proportions of the interior. New spaces are carefully arranged around this framework, allowing the building’s original logic to remain visible.
Following the approach of the original 1935 conversion, contemporary additions are deliberately distinct from the historic fabric. New interventions are treated as independent elements, creating a clear dialogue between the original barn and modern living.
The barn conversion is situated on three acres of land with direct access to the village green beyond. It was therefore important to exploit the connection with the landscape. Opening glazed strips characterise the garden elevation, reflecting both the ground floor living area and first floor master bedroom suite.
On summer evenings the family can slide open the full height windows and enjoy the garden and the village green beyond.
The barn conversion project was published by:
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Photography by Lyndon Douglas